Another Post Card for Lili

 

This post card went away to my grand-daughter Lili today. I have been sending handmade post cards to her since she was an infant, and I needed to find a way to send her my love. She lives four hours away, and the busyness of life for all of us makes it always too long between my visits.

Now she is two, and she knows who the cards are from. She carries them around, and she and Mommy called me last time one arrived, so Lili could tell me, "Gammy, I WIKE it!" What an amazing miracle she is.

We are preparing to sell our home of nearly 14 years, so we can relocate in the mountains where my heart lives (when it is not thinking about Lili). The gardens are glorious and lush. I am drinking all of it in, enjoying my last Spring here. So much work and love and nurturing. So rewarding.

Rhubarb Harvest

Volunteers Growing no-Work Salads

New Iris with Crazy Lavender Beard

  And the rain just began pounding on the roof again. Feeling lucky to live high above the creek.          

Spring Projects

THREADS & LETTERS

The Fringe Gallery in Saranac Lake is currently exhibiting its 8" by 10" People's Choice Show. They are celebrating their first anniversary - a welcome addition to the burgeoning gallery scene in the village. This is the little piece I entered - fabric paper with machine stitching over collaged papers and threads and mounted on a painted prepared canvas. Lots of fun small pieces in this show - very affordable.

Now I am watching the birds return and the plants emerge.

CHRISTMAS FERN FIDDLEHEADS

   The silvery scales and beautiful spirals of these new ferns fronds are exquisite.

Pleasure of the Process

There is so much to do to prepare for an art show! In the case of the Out of Season exhibition opening on April 13th at Paul Smith's College, I am putting it together with my friend Lee Ann Sporn. And what a pleasure to work with her! There will be more about this show in an upcoming post.

So, press releases to write and send, e-mails to create, post cards and lists and posters to make, etc. But the BEST part is doing the artwork. I finally got most of a day to continue working on some pieces, including more holographic pieces using some of my photos from Florida. The one above is a detail from a small piece using those beautiful Sea Grape leaves that were golden and red in January. Making the fabric color and pattern choices, deciding on the assembly order, sewing the pieces together - all so satisfying and happy-making.

Back of sheer printed layer with border

Sheer printed layer & opaque backing layer

For more information about this process, see the last section of my March 14th post. 

The fabric for the border of this and another piece came from the Foofsique Quilt Emporium in Chatham NY. I was stumped by some project and fabric questions, and Diane really bailed me out. The fabric above was her perfect answer for this border, as well as some other perfect answers I brought home with me. Thanks, Diane!                            

Learning to Focus

Lili at her Painting Project

For a child not quite two, my grand-daughter Lili amazes me with her ability to enter into what she is doing with complete concentration and focus. And she is not finished until SHE decides it is so. Would that I could be so clear and sure about what I do. It seems odd to want to emulate a small child so often, but here I am, thinking frequently "How would Lili approach this?".

In the meantime, I am working on several pieces for my upcoming show at Paul Smith's College called Out of Season, with my friend Lee Ann. All of my pieces in this show are new and all are inspired by and related to my recent trip through Florida this past winter. The piece de resistance in this show (in my opinion and for several reasons) is my set of handmade postcards that I mailed to 15 friends from the road toward the end of our trip and which they returned to me when I returned home. I am displaying all the cards in a 3D piece at the opening. I also scanned all the cards when I got them back, and I printed them, so I can use them in some fiber work. 

Here is the post card I sent to my mom, shown below first in its original form then made into a deconstructed fiber piece, still in progress.
      

       

Avoiding the Doldrums

 

This is what I see from my desk this morning in Night Rain Cabin, at an odd moment when the chickadees and red-breasted nuthatches are not at the suet feeder on that birch tree. Most of the giant snow pile is from the deep blanket of snow that slid off the roof in many Whoosh-Thumps over the past few warmish days

I have been away in some lovely warmer places when most of this snow fell, so I don't have the same exhausted outlook on this extreme winter here in the Adirondacks as many of my friends. But it has been a time of a darker outlook in past years because of the sunlight deprivation that gets intense for me by now.  This year I am holding up pretty well, partly because of our trips and partly because I have so many wonderful art projects and events that buoy me up. And I am so grateful for all of that.

On Friday, my friend Lynn and I went to the opening of the Cover Art Show over in Lake Placid. This annual show is sponsored by the Arts Council for the Northern Adirondacks, with the main objective of finding a piece of artwork to grace the cover of the arts directory for this region (which is getting heftier every year). As always, it was great party and an opportunity to see other artists and friends.

I entered a piece that I reworked from one of my fiber collages that I made over the summer. It is a little deconstructed digital photo of my cabin Hobbit House, with added fabric fragments and decorative stitching. Here is the original: 

Fernville Spring

 

 

 

 

 

 

 

 

 

 

I like this little piece, but originally it was mounted on a muted turquoise rayon background to coordinate with its ten sister pieces for a show. I decided that background wasn't what this one needed now. So I painted, stamped, and otherwise played on the background fabric to come up with this:

I popped it back into the original frame, renamed it Deconstructed Cabin, and entered it in the Cover Show. I was surprised and pleased to learn it received an Honorable Mention!

Two Saturdays ago, I went to the New England Quilt Museum in Lowell, MA to attend Wen Redmond's workshop on printing with natural materials. Really fun and interesting! There is also a wonderful show up at the museum by members of the Studio Art Quilters Association called No Holds Barred. The range of styles, subject matter, and materials used by these talented artists was mind-boggling! See it if you possibly can! After lunch, Wen talked about and showed her art quilts, starting with early pieces. All wonderful, beautiful, and inspiring. 

Using Wen's directions from a 2007 issue of Quilting Arts magazine, I made two pieces that were accepted into the Adirondack Artists' Guild recent juried show. Because these works are constructed with a photo printed on the top sheer layer and an opaque layer of the same photo underneath, separated by the depth of the stretcher bars, they look 3-dimensional (or "holographic" as Wen describes them). I love this technique - lots of potential for future work.

Low Tide Treasure

Winter Ferns

The photo below shows how the Winter Ferns piece was assembled. The lower opaque layer was glued to the back of the sheer layer which was attached to the stretcher bars by the border fabric.

So, on to the next project - finishing work for my April show Out of Season. Lots to do. More about that next time!

    

The Post Card Project

Upon leaving Florida (tomorrow morning) I am finally getting back to my blog! My current project is making 14 or so post cards, mailing them to friends, retrieving them later, and making them into a piece for my show coming up in late March at Paul Smiths College. Each one is about some aspect of this wonderful trip my sweetie and I have been engaged in since late December. A recent post to my Inkjet Transfers Yahoo Group spurred me to show a few of the cards for which I used inkjet transfers.

 

This card was made from a photo I took of a sweet little cottage in Bradenton, Fl. I printed the image on brochure paper and transferred to the watercolor card using Golden soft gel medium, with a spritz of water on the printed image before placing it facedown on the medium. It turned out very well. The painted borders are cut from the map in the Village of the Arts booklet I received when Mom and I went to studio/gallery tour the Village in January, along with a little strip of lovely painted paper on the right edge.

This card is made from an inkjet transfer on plain paper, using Golden matte medium. A little less successful than the image above but the strong photo of the palm leaflet worked well anyway. I used map fragment for this card as well.

This image transfer is of a gorgeous sunset, made as the one above. I enhanced it with watercolor pencil and spread the pigment with matte medium to make it more durable for its postal journey. Painted handmade paper is attached with matte medium along the bottom and right edge.

Hope you enjoy some tropical thoughts when you look at these. I feel so lucky to have had all this sun while you poor dears are digging out from under the winter!

  

Cris' Collages at LPCA

These collages (each 8" x 8") were on my November 24th post, with information on how they were put together. Now they are the Lake Placid Center for the Arts in the Big Small Holiday Show, along with lots of small works by area artists. Worth the trip!

Trust the Trail

October Pond Lilies

Hints for the Cook - Girl Scout Series

In Using an Ax or Hachet - Girl Scout Series

Warning for Windy Days - Girl Scout Series